top of page

In the spotlight

Meet Nagin Ansari, Founder and CEO of Backspace, a creative leader shaped by discipline and imagination. With a deep respect for time and process, she believes creativity needs both structure and space. Backspace was built from trust and necessity, guided by empathy, partnership, and purpose-led work that values people as much as the ideas they create.

Nagin name card copy.jpg

What’s your story? 
 

I have parents who are sticklers about time and discipline. As a child I just assumed that was the way the world worked. As an adult, I realised this was unique and very valuable for many people who worked with me. Like most creative people, I am also wired as someone who loses track of time when I get deep and obsessive about work. Perfecting something till your vision comes to life, thinking until something extraordinary appears, tolerating creative blocks, exploring design ideas and playing with them with zero regard of time. All essential ingredients of the creative process, despite what AI tools seem to endorse. The silence, the pause. I'm still a staunch believer in the ‘magic’ that happens and creating space for it. The flip side however, when it comes to the service industry is that clients don’t care for that kind of time and they certainly don’t like to pay for it. Make it magical but please make it fast. To them our work is functional, mostly, and a commitment to their service means respecting their time. I was raised with a tremendous respect for my own time as well as everyone else’s and if I could factor in ONE marvellous influence in my story - this would be it. 

It goes deep. For clients, it is not just meeting timelines, it's also empathy - knowing what the client loses when you take too long. It is knowing how they feel everyday while they wait. It is truly being on the journey with them. Working as creative partners. With your team, it is knowing delaying one approval means they may have to cancel plans with friends. Knowing those plans brings them joy, and their joy fuels their work. With your family, it means arriving 5 minutes early to pick your son from school is critical when they’ve asked you to. Nothing else should matter. Listening to excruciating details about Minecraft and Youtubers, barely keeping up while your phone is buzzing. Respecting those minutes and dedicating them where they belong. For parents, it means creating space so they don’t need to apologise for picking up the phone and wanting to hear your voice. Time and our relationship to it is what makes the journey worth sharing. Were we able to slow down, speed up, show up, stay away and all the while, watch time go by as spectators? All of it is the journey. 

Brass tacks: 11 years in a convent school, born and raised in a German influenced nuclear family in the 80s and 90s in Karachi, middle child, always the poet, the artist, never a mathematician, never a material girl, always a dreamer. Explored a mix of sciences and arts and accounts for O levels, zoomed into English and Urdu literature and art exclusively in A levels and went to IVS to do communication design with zero interest in advertising or design. Fast forward 10 years had delivered creatively in leading ad agencies, serviced many FMCGs and Corporate brands. In 2017, by then as a mom of 2 young boys, I jumped to a self-employed status to see what I could do with my time, if I had complete control. One of the most difficult decisions to have made and so glad to have made it. 

 

Why did you set up Backspace, and what was your vision for the agency when you started?

I had no intention of owning an agency. I just worked with clients who kept asking me to scale and as most creative people do, I had no idea how to do more. If I hired a team, they would need to deliver on the quality and style my clients needed from me. How would I find such people? How would I teach the ‘how I work’ bit? Also, like many other creative professionals, I had barely any access to capital. How would I invest? 

Luckily, people took bets on me. Surely, the ‘seed’ had been planted every time clients, colleagues and employers gave me a vote of confidence over the years. I had learnt a lot having been surrounded by the most critical and ruthless of creative projects. But practically speaking, Backspace was built brick by brick, without a clear end goal. It was born of necessity. My first symbolic investment was in an 8 feet by 4 feet Ikea wooden table, which a cousin carried for me from Dubai to Karachi. That was truly the very first space that was  ‘Backspace’. Next was a friend who agreed to incubate us, a room within his office, a few desks and chairs and some equipment. We hired carefully, slowly, with tireless training, coaching, mentoring. Some things held us in place - we rejected clients who were not chasing the triple bottom line. We over-delivered for clients who were purpose-led. We worked beyond the list of deliverables. We figured ourselves out and banded like-minded people together as we did. The good thing about being jaded with the malpractice and lack of quality within the industry is that you are very sensitive to temptation. You learn from the industry’s mistakes if you passionately despise them. It helps to channel that rage. My vision was not only to scale commercially. My vision was always to scale mindfully and commerce would start to make sense eventually as the cliches often say. It did happen. My vision was to have a workplace where time would be respected, people would work happily and the leadership would not use their experience to lord over the rest, only to problem solve faster and smarter and often.

Unknown.jpeg

Having your own agency in a very male-dominated advertising landscape, what do you find most challenging?
 

Working with corrupt organisations in our country. They see gender as a vulnerability. 

​​​
 

What’s the best piece of advice you’ve ever been given?

“If you keep doing what you’ve always done, you will keep getting what you always got”

If you weren’t in the creative industry, what do you think you’d be doing instead, and why?

I don't really know. Maybe I’d be a lawyer? Or a psychologist.

Out of all the campaigns and projects you’ve worked on or overseen, which one stands out as the most memorable, and why?

Back in 2007, I worked on an Engro Foods project at Adcom. It was the launch of Tarang tea whitener. It's memorable of course because my ideas for packaging and the TVC were widely loved and implemented but also because the management trusted me. I was given lots of responsibility, face time with the client, travelling to represent them at the shoot and seeing a nationwide campaign happen from start to finish. It did well on so many fronts and I got a front seat to how things look when all the boxes are ticked - from powerful budgets to seasoned clients. It was ages ago, but it had so much heart and soul poured into it.  

Best strapline, campaign, or piece of work of all time?

 

None.

 

In terms of work created by others that you admire, what stands out for you and why?
 

BBDO has been doing social impact through some great campaigns. It proves brands have power to influence a lot more than their own sales and we need more of that. Generation and Shan foods have been making content that pushes the social narrative forward. Shehzad Roy has been making songs all his life which influence how masses think, urging them to rethink often. Illustrators and indie film makers who represent Pakistan to the world and people who work with Urdu typography as art and keep it alive are hugely inspiring to me.
 

If there is one thing you could change about the creative industry, what would it be?
 

Ego. Awareness around and management of. Power should be a by-product, not the goal.

 

 

What’s next for you and Backspace? Which projects or ideas are you most excited to explore?
 

What’s next for me? More of what’s next for Backspace with a side order of prioritising my own well-being. 

Creatives are two things - purveyors of beauty and problem solvers. Personally, I am driven to put us on the map to showcase the immense talent we have for both these things. Beauty that is not borrowed but contextual and from our rich roots, and problem solving (aka jugaar) that we do at a level very few nations can comprehend. It needs to be recognized, channelled and also monetised.

Here’s what's on the list:

  1. More collabs - Backspace is already working with large clusters of collaborators and we plan to expand this network, irrespective of fancy college degrees or language barriers. 
     

  2. Work Ethic for Creatives - We want to build and flex some solid work ethic within our curated creative communities. I want to show it can be done without harming productivity or commercial targets. This is rooted in our relationship with time and some good old self-criticism.
     

  3. Fighting toxic client mindset - We want clients to reform. Creatives are partners, supporters, facilitators not slaves. The age-old desire for creativity to be valued will be addressed, and soon.

bottom of page